Vox unveils AC4C1-BL Custom Series guitar amp

The Vox AC30′s Top Boost sound has fascinated guitarists around the world for over fifty years. Capable of massive crunch or the clean, classic ‘chime’, this Top Boost tone is the essence of Vox’s identity.

The AC4C1-BL now delivers this unbeatable sound in a portable, compact body. Gain control, Bass and Treble tone controls, and a Master Volume enable any player to easily recreate this historic sound.

Remarkable not only for its authentic VOX sound, the AC4C1-BL is also captivating in its appearance: the rich, blue vinyl and Tygon fret cloth date back to 1963. Completing this vintage ensemble is an ‘old-school’ Bakelite handle.

Boasting the highest levels of design sensibility, the long-awaited VOX AC4C1-BL offers an easy way for anyone to achieve the legendary AC30 Top Boost tone.

Highlights

  • All-tube mini combo amp
  • Legendary Top Boost tone inherited from the VOX AC30
  • Gain, Bass, Treble, and Master Volume controls
  • 4 Watt Class A amplifier design
  • 12AX7 preamp tubes (x2); EL84 power tube (x1)
  • Historic 1963 Blue vinyl covering; Tygon fret cloth; retro Bakelite handle
  • 10″ Celestion VX10 speaker

Available to pre-order here http://www.heybrookmusic.co.uk/vox-ac4c1-bl-special-edition-ac4-valve-guitar-amplifier.html

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Live Music Bill breakthrough

The MIA and the entire UK music industry are celebrating after the Live Music Bill passed its third reading and report stage in the House of Commons.

The Bill, introduced by Liberal Democrat Peer Tim Clement-Jones – and promoted in the House of Commons by Bath MP Don Foster – should now proceed to Royal Assent.

As a result, small venues wanting to host live music events will no longer need a local authority entertainment licence and it will now be easier for pubs and clubs to host live performances.

Paul McManus, CEO of the MIA, said:

“This is wonderful news and a great day for live music. The Live Music Bill will make a real and positive impact on musicians. The current Licensing Act has created an excess of bureaucracy – making it almost prohibitive for pubs and other small venues to host live gigs. We are extremely grateful to Lord Clement-Jones and Don Foster MP who have made this change possible.”

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FENDER® INTRODUCES KURT COBAIN MUSTANG® GUITAR

When Kurt Cobain hit the stage, it was very often with a Mustang® guitar—an enigmatic anti-hero figure with an esoteric anti-hero instrument. It’s with great pride then that Fender introduces the Kurt Cobain Mustang, which evokes the man, the band, the sound and the times, and gives an authentically crafted nod to one of the most unlikely guitars to ever find itself at the centre of a musical maelstrom.

Cobain liked Mustangs a lot. For one, he preferred offbeat guitars that didn’t cost zillions of dollars, and the Mustang certainly fit those two criteria. Also, being somewhat physically diminutive himself, he liked to perform live with slightly more diminutive guitars, like Fender Mustang and Jaguar® guitars, which better fit his hands and his reach.

See for yourself—go back and watch the famous 1991 video for “Smells Like Teen Spirit,” and there he is and there it is slung over his shoulder. Or think back to when you saw them on the ’93-’94 In Utero tour, when he seldom went onstage with anything but a Mustang. Quite often and especially later on, Mustang guitars were a big part of what Kurt Cobain was all about, musically.

Inspired by his arsenal of modded guitars, the new Fender Kurt Cobain Mustang takes you back there, with highly distinctive features including an angled single-coil Mustang neck pickup and ferocious Seymour Duncan® JB humbucking bridge pickup mounted directly to the body, dual on-off/phase in-out switches for each pickup, a polyester-finished alder body and an Adjusto-Matic bridge with dynamic vibrato tailpiece.

Other features include the classic 24” Mustang scale length, C-shaped maple neck with urethane finish, 7.25”-radius rosewood fingerboard with 22 vintage-style frets and vintage-style ivory dot inlays, four-ply pickguard (Aged White Pearl on Fiesta Red and Dark Lake Placid Blue with stripe models; Tortoiseshell on Sonic Blue model), master volume and tone controls, vintage-style tuners, and chrome hardware. Finish options include Fiesta red, Sonic Blue and Dark Lake Placid Blue with stripe. Available in right- and left-handed models

Available to pre-order from Heybrook Music

http://www.heybrookmusic.co.uk/fender-kurt-cobain-mustang-dark-lake-placid-blue-with-stripe.html

http://www.heybrookmusic.co.uk/fender-kurt-cobain-mustang-sonic-blue.html

http://www.heybrookmusic.co.uk/fender-kurt-cobain-mustang-fiesta-red.html

http://www.heybrookmusic.co.uk/fender-kurt-cobain-mustang-fiesta-red-left-handed.html

http://www.heybrookmusic.co.uk/fender-kurt-cobain-mustang-sonic-blue-left-handed.html

http://www.heybrookmusic.co.uk/fender-kurt-cobain-mustang-dark-lake-placid-blue-with-stripe-left-handed.html

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FENDER® INTRODUCES PAWN SHOP SPECIAL® AMPLIFIERS

Meet Greta and Excelsior, Fender’s new and coolly unconventional Pawn Shop Special amplifiers. The two stylish amps resemble the esoteric finds you might discover in a pawnshop or second-hand store, and make for the most distinctive addition to any musician’s collection.

Housed in the playfully diminutive form of a vintage tabletop radio, the Pawn Shop Special Greta model is quite possibly the most unusual Fender tube amp ever (in fact, you’ll be hard pressed to find the name “Fender” anywhere on it). It’s a charming two-watt tabletop beauty with a 4” Special Design speaker, old-school VU meter with “clean to overload” indicator display, simple volume and tone controls, and a 1/8” back-panel auxiliary input perfect for iPod or other media player use.

Its vintage-style enclosure has front and rear wood panels finished in bright red, gold-finished metal top and sides for increased shielding, “Greta” script badge on the front panel and tabletop feet. Under the hood and on the back panel, Greta features a single 12AT7 output tube and 12AX7 preamp tube, with a ¼” instrument jack and ¼” line out jack (for preamp use with another amplifier).

Undoubtedly one of the most distinctive tube combo amps produced in Fender history, the alluringly refined Pawn Shop Special Excelsior harbours tones from polite, to raw and raucous. Its brown textured vinyl covering, smartly stylish “E” grille design and bold crossed-swords front-panel badge convey a decidedly stately vibe with a marked air of cold-war cool.

The 13-watt Excelsior elegantly encloses a single 15” Special Design speaker, with bottom-loaded primary chassis and top-loaded control chassis for operating convenience and low noise (powered by two 6V6 output tubes and two 12AX7 preamp tubes). Distinctive features include “instrument,” “microphone” and “accordion” inputs that each have individually optimized circuitry; tremolo circuit with speed control, bright/dark tone switch (for treble or bass emphasis), volume control and ¼” internal speaker disconnect that lets the amp drive an external speaker enclosure.

For playing at home, smaller gigs and studio sessions, the Excelsior is a class act that brings a fresh and unconventional new vibe to your playing.

Available soon from Heybrook Music

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Heybrook Music makes front page of Daily Telegraph

Heybrook Music made the front page of the Daily Telegraph today when they reported the recovery of a  guitar looted in the recent riots.

Here’s what they had to say:

‘Gunner Liam Bretherton, 20, faces dismissal from the Army after walking into a guitar shop with a valuable Gibson Les Paul just 12 hours after a music store in Manchester had been ransacked by looters.

He was arrested when the owner of the shop became suspicious and checked the serial number and locked him in until police arrived.

Gunner Bretherton, who serves with the Royal Regiment of Artillery, pleaded not guilty to burglary.

He tried to sell the left-handed Gibson Les Paul to Heybrook Music in Leigh, Wigan, on Wednesday. Grahame Hill, the shop’s owner, checked the serial number and then locked Gunner Bretherton in the shop.

Mr Hill said: “This was a £ 2,000 Gibson, the Ferrari of guitars, you do not pick them up cheap.”

Gunner Bretherton was denied bail. His mother, Eileen, sobbed as he was sent down to the cells. His father, Alan, yelled from the public gallery: “He’s been a good lad all his life.”

Gunner Bretherton is due before the court on August 19.’

© Copyright (c) The Daily Telegraph
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The fight continues for Live Music concessions in the UK

We know this is a bit dry, but if you like gigging it’s important. There are people out there actively working to remove some of the pointless restrictions that are throttling the live music scene in the UK

There was a Westminster Media Forum last week about the future of the UK Music Industry. We especially wanted to hear an update from Lord Clement-Jones, the Peer whom we have been supporting to get concessions for small venues putting on live music.

Here’s the update……

Proposals to de-regulate small scale live music events could become law in 2012 after the Live Music Bill made it through its committee stage in the House of Lords.

Lord Clement-Jones highlighted the ‘great encouragement’ it would give to young musicians ‘performing in all kinds of venues, who will be able to take advantage of these provisions.’

The Bill now has just two readings left before it finally reaches the House of Commons!

Baroness Garden of Frognal re-iterated the Government’s support of the Bill in the Lords in light of a concession to change the time limit from midnight to 11pm and announced that the Government was ‘planning to consult shortly on wider reforms to live entertainment’.

Lord Stevenson of Balmacara backed the Bill on behalf of the Labour Party.

For more details of the concessions being sought, see this extract from a recent B2B newsletter

  • Unamplified live music is exempted anywhere between 8 am and midnight on the same day, but this can be disapplied in alcohol-licensed premises if complaints are upheld. Conditions could then be applied. (This is a proportionate solution, because it allows, for example, cafés to put on such entertainment without the cost of applying for a full license.)
  • A broad exemption is introduced for any premises not already licensed under the Licensing Act that qualify as a workplace for the purpose of health and safety legislation. This covers not only hospitals, schools et cetera, but factories, offices and any place covered by the workplace definition. This is an important new addition to the Bill.
  • The removal altogether of the entertainment facilities provisions. There would no longer be a separate requirement to authorise the provision of musical instruments such as the piano for a school concert open to the public.
  • A new exemption under the Bill to allow live and recorded music to accompany morris dancing.

Baroness Rawlings, Conservative spokesperson for the arts, culture and media in the Lords, speaking for the Government stated, “We are pleased to announce that it is the Government’s intention to be supportive of the Live Music Bill.

Right we’re off our soapbox now. Time to plug an SG into a valve amp

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Electro-Harmonix launches the Ravish Sitar

At the very top of our ‘must-try’ list is the latest stompbox treading the fine line between awesomeness and madness from the guys at Electro-Harmonix in NYC. We’ll let you know more as soon as we get our hands on it. In the meantime here’s the skinny:


The puntastic Ravish Sitar certainly looks like a more practical way to add an Indian flavour to your sound than either getting hold of the real thing, tracking down an original Coral Sitar or picking up a second-hand, not-at-all-convincing Danelectro Sitar Swami pedal.

According to EHX, the Ravish Sitar boasts the following features:

  • Lead sitar voice tracks polyphonically
  • Sympathetic string drone simulation
  • Selectable keys and scales including major, minor and exotic
  • Select the sympathetic key by playing a note on your guitar
  • Bend the pitch of your lead voice using an optional expression pedal
  • Save and recall nine presets
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Vox Unveils AC15C2 Twin at summmer NAMM show

SUMMER NAMM 2011: Legendary British amp-maker Vox has unveiled a new addition to its AC Custom Series of valve amps.

The AC15C2 ‘Twin’ is a two-channel, 15-watt combo similar to the company’s AC15C1 but with a second 12-inch Celestion Greenback speaker and larger spring reverb tank.

The AC15C2 ‘Twin’ is set to hit stores early autumn and will be priced at $1100 .We’ll let you know UK pricing as soon as we get it. See below for more details:

The AC15C2 ‘Twin’ offers both Normal and Top Boost channels, tremolo, spring reverb, an effects loop, and footswitching capabilities. The tube amp design uses three 12AX7 dual triode vacuum tubes in the pre-amp section, and two EL84 pentode tubes in the power stage.

Each channel is equipped with its own Volume control, and the Top Boost channel offers highly interactive Treble and Bass tone controls. Both channels rely on the Tone Cut and Volume controls in the Master section.

The Tone Cut control operates in the power stage rather than the preamp stage, allowing an additional degree of sound-shaping. The Master Volume control works in conjunction with the individual volumes of each channel to create just the right degree of gain-staging.

By balancing the individual and Master volumes, the AC15C2 ‘Twin’ can deliver the coveted clean Vox ‘chimey’ sound or a powerful overdriven tone – and everything in between.

The classic Vox tremolo effect is equipped with adjustable controls for both the speed and the depth. A warm Spring Reverb is also included. With its larger dual speaker housing, the AC15C2 ‘Twin’ features the larger reverb tank normally used on the AC30C2, adding spaciousness to the sound.

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The Micro Pog is back !

The Fabulous Electro-harmonix Micro Pog is back in stock! The Electro Harmonix Micro POG can simultaneously generate multiple octaves from your input signal. Whether you play single notes, arpeggios or full chords, the MICRO POG will track, every note or chord that you play, with precision. With the MICRO POG, you can mix together your original “dry signal” with two different octaves (one above and one below your original note) to create totally new inspiring tones. Get one here

http://www.heybrookmusic.co.uk/electro-harmonix-micro-pog-polyphonic-octave-generator.html

See it put through its paces here.

Micro POG – Demo by Larry DeMarco

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We Now Accept PayPal

With Paypal being such a great payment gateway and with so many users now on the portal, it gives me great pleasure to announce that we are now integrated with Paypal – allowing you to place your order using your existing PayPal account.

PayPal are one of the biggest online payment gateways and one of the safest ways to pay online. It’s a convenient, easy to use system and also, similarly all major credits cards, it’s accepted worldwide.

To use PayPal, please checkout as normal – add products to your basket and then go to the checkout page. When you’re ready to place you order press “Proceed to Payment” – when you’ve done that you’ll see the screen below. Simply press the “Paypal” button to continue.webscr

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